Updated: 3 hours 2 min ago
In “Killers of the Flower Moon,” David Grann uncovers a shattering history of oil greed, racism and serial murder targeting the Osage Indians.
Sheryl Sandberg and Adam Grant talk about “Option B,” and Annie Jacobsen discusses “Phenomena.”
In “Tell Me How It Ends,” Valeria Luiselli describes her encounters with undocumented migrant children and the circumstances that produced them.
David Callahan’s “The Givers” examines a new wave of philanthropists: how they operate, what makes them tick.
In his new collection, “Living in the Weather of the World,” Richard Bausch proves yet again that he’s a master of the short story.
Readers Respond to the presumed loneliness of Hill Country, the absence of bibliography and more.
Margot Singer’s novel “Underground Fugue” follows the intermingled fortunes of four Londoners in the summer of the terrorist bombings.
The down-and-out moments in Deb Unferth’s story collection, “Wait Till You See Me Dance,” manage to be both witty and emotional intimate.
“This Fight Is Our Fight,” new on the hardcover nonfiction list, is nominally about the economy. But the index reveals a more personal target.
In “The Outrun,” Amy Liptrot recalls her decade as a London party girl, followed by the spectacular solitude of Scotland.
A Shortlist that looks at major figures from our time and before.
Suggested reading from critics and editors at The New York Times.
Six new paperbacks to check out this week.
Five decades ago, Simone de Beauvoir wrote “Les Belles Images.” The 1967 novel explains modern womanhood in a nutshell.
Two new books — “Mercies in Disguise” by Gina Kolata and “The Family Gene” by Joselin Linder — look at how individuals cope with devastating genetic diseases.
The author of “The Lost City of Z” and “Killers of the Flower Moon” thinks the president should read “The Road,” by Cormac McCarthy, because “it gives a sense of the fragility of the world.”
“A Grace Paley Reader” contains some of her acclaimed stories, a selection of poems and several essays that show a different side of the writer.
His name was Walter Winchell, and he presided over Table 50 of the Stork Club, temple of a new cult of celebrity, in mid-20th-century Manhattan.
The Pulitzer Prize-winning author of “The Sympathizer” explains how creative writing seminars can work against people who don’t come from the mainstream.
In this love letter to the Bard’s “swag-bellied omnivorous cornucopia of appetites,” Harold Bloom argues for Falstaff as one of literature’s vital forces.